Sunday, April 28, 2024

Plan Your Visit Cooper Hewitt, Smithsonian Design Museum

cooper hewitt smithsonian design

For centuries they have used the fibers of the chaguar, from the bromeliad family, to weave fishing nets, bags, and other objects, which continue to sustain many of the communities today. Published by Thames & Hudson, UK in collaboration with Cooper Hewitt and edited by curator Andrea Lipps, An Atlas of Es Devlin is a unique, sculptural volume of over 900 pages, including foldouts, cut-outs, and a range of paper types, mirrors, and translucencies. Founded in 1846 after a gift from British scientist James Smithson, the Smithsonian Institution now operates as 21 museums, as well as research centers and a zoo. Cooper Hewitt represents the Smithsonian’s design collection and is one of only a few Smithsonian museums located outside of Washington, DC. Aliki van der Kruijs (Dutch, born 1984) has a studio in The Hague, the Netherlands and works on self-initiated projects, collaborations, and commissions that juxtapose her interdisciplinary background in applied art.

Current Exhibitions

From the 1890s to the 1920s, Sophia Crownfield designed prints for prominent silk and wallpaper firms in the United States. Ilonka Karasz (Hungarian, 1896–1981) studied art at the Royal Academy of Arts and Crafts in Budapest, where she was one of the first women to be admitted. After immigrating to the United States in 1913, she became an active member of the New York design scene. Working in a variety of mediums, Karasz is well known for her wall coverings and illustrations.

Es Devlin, Beyoncé’s Stage Designer, Builds the Modern Spectacle - The New York Times

Es Devlin, Beyoncé’s Stage Designer, Builds the Modern Spectacle.

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Cooper Hewitt, Smithsonian Design Museum

This dress, woven by Lydia Novillo in a women’s cooperative in Formosa, Argentina, illustrates the continuation of an important South American textile tradition through a contemporary lens. The tradition stems from the weaving practices of the indigenous people of South America, the Wichi, who live primarily in Formosa, an isolated area in northern Argentina. Originally settling near the Bermejo and Pilcomayo Rivers, they were semi-nomadic, agricultural people who also relied on fishing during the dry season.

Welcome to Cooper HewittPlan Your Visit

Cooper Hewitt offers a variety of access services so that everyone may enjoy the museum to the fullest extent possible. Learn more about Cooper Hewitt’s accessibility services and exhibition accommodations. For accessible entrance, please inquire with staff at the 2 East 91st Street entrance. Explore Cooper Hewitt using our virtual visitor guide complete with information on current exhibitions and suggested routes through the galleries. Download the guide ahead of your visit or access it on site with our free WiFi. The Parsons School of Design, in partnership with Cooper Hewitt, offers an accredited Master’s Program in the History of Design and Curatorial Studies located on the museum campus.

Acquired! Shaping the National Design Collection - Smithsonian Institution

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The entirety of the collection, its offerings interwoven together, tells nuanced stories about who we are that both embrace and confront the past and help inform our possible futures. Zuzek was a staff designer for Key West Hand Print Fabrics, where Lilly Pulitzer sourced most of her fabrics between 1962 and 1985. American textile designer, weaver, and color authority Dorothy Liebes (1897–1972) had a profound influence across design fields, helping to shape American tastes in areas from interiors and transportation to industrial design, fashion, and film. Trained at the Kansas City Art Institute, April Greiman (American, born 1948) continued her studies at the Kunstgewerbeschule in Basel, Switzerland. Establishing a studio in Los Angeles, California, in 1976, she became the leading figure of the emergent “NEW WAVE” design movement.

The Immersion Room on the second floor uses digital and projection technologies to bring the museum’s collection of wallcoverings, the largest and most significant in North America to life. Browse hundreds of high-resolution digitized wallpapers and see them projected at full-scale, floor-to-ceiling on the surrounding walls. Sketch your own designs, adjust the colors and manipulate repeat patterns, and see them projected on the walls around you. Selected wallcoverings are accompanied by brief audio commentary with designers, who share design insights and inspiration. Cooper Hewitt’s renovation now offers an entirely new and invigorated experience, with interactive, immersive creative technologies at the heart of every visit and 60% more gallery space to explore. The museum publishes catalogs of its collection and exhibitions, as well as independent publications related to the museum’s resources.

—digital projections transform the walls of the room with patterns that can be adjusted or customized. Please schedule an appointment 24 hours in advance by email via  if you wish to use the library. Please specify your research interests, university or other affiliation (if you have one), and the time and date of your visit. Originally a student of art and traditional ceramics in her native Europe, Eva Zeisel (Hungarian, 1906–2011) enjoyed international success as an industrial designer.

Pentagram and Village are responsible for the museum’s new graphic identity as well as the clear and colorful signage throughout the building, written in Cooper Hewitt’s custom, open-sourced typeface. And don’t forget everyone involved with the interactive media, website and digital collections. Inclusive, innovative and experimental, the museum’s dynamic exhibitions, education programs, master’s program, publications and online resources inspire, educate and empower people through design. An integral part of the Smithsonian Institution—the world’s largest museum and research complex—Cooper Hewitt is located on New York City’s Museum Mile in the historic, landmark Carnegie Mansion. Cooper Hewitt knits digital into experiences to enhance ideas, extend reach beyond museum walls and enable greater access, personalization, experimentation and connection. Housed in New York City’s landmarked Carnegie Mansion, Cooper Hewitt offers four floors of galleries dedicated to all disciplines of design.

The museum

cooper hewitt smithsonian design

Duro Olowu Selects is the twentieth installment in Cooper Hewitt’s Selects series, which invites designers, writers, and cultural figures to explore and interpret objects in the museum’s collection. But that modesty, tinged as it is with the occasional flamboyant ornamentation, works for a museum like the Cooper Hewitt. The exhibition designers and curators take great advantage of their renewed spaces and bring out the best in the building while allowing the building to draw out new aspects of the objects on display. The broken ceramic lamp and jewel cabinet would just wouldn't have the same effect of they were installed in a white box gallery. When an image is selected, the table works as a virtual gallery wall, displaying catalog information and historical data, with the added digital benefit of category and color tags.

Download the free Bloomberg Connects app and embark on an audio journey through Es Devlin’s creative practice guided by the artist herself. In an introduction and fifteen stops, Devlin shares personal stories of process, which all begin with a line on a piece of paper, and morph through forms, studies, scale, and models. Contemporary Muslim Fashions is the first major museum exhibition to explore the rise of the modest fashion industry.

Made specifically for the Cooper Hewitt by a team of designers and fabricators,.It also interacts with the new digital touchscreen tables found throughout the museum, though a finger works just as well. A continuous stream of circular images scrolls down the screen, each image depicting a detail of a different object from the collection. It's beautiful and hypnotic and fun to guess what kind of object will be revealed as you drag a circle to the center of the screen as it expands into a full high-resolution image. Sketches and small cardboard models form the seeds of her large-scale architectures. For this first monographic exhibition of her work, Devlin and the curators dug through her 30-year archive, mapping throughlines that connect her teenage paintings to her stage designs to her contemporary installations. An Atlas of Es Devlin is the first monographic museum exhibition dedicated to British artist and stage designer Es Devlin (born 1971), who is renowned for work that transforms audiences.

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